ART CAMP: PRINTMAKING-ROLL THE PRESSES

Rachel Catlett
2 weeks — MONDAY - THURSDAY 9:00a - noon
August 12, 13, 14, 15, 19, 20, 21 +22

$320

Boxed and Burlap ART STUDIO —DOWNTOWN—
230 East Walworth Ave Delavan

ages 13 - 17

*12 year olds turning 13 by Sepetember 1, 2024 may also register for this class
all skill levels welcome

Basic art supplies are included in the course fee.

 

 

class content / description

Welcome to our dynamic children’s art class where budding artists embark on an exhilarating exploration of printmaking! Join us as we dive into the exciting world of monotypes alongside other simple printing methods like linocut, nature prints and cyanotypes. Through hands-on experimentation and creative play, kids will learn to make multiples of their designs while discovering the magic of printing with various techniques and materials. Get ready to unleash your imagination, discover new artistic horizons, and create your own unique masterpieces in every session! We meet Monday through Thursday 9a - noon, take Friday off enjoy the weekend and let the prints dry, then come back for another week of printmaking fun.

The class will be tailored to the individual student and their abilities.

Basic art supplies are included in the course fee.


Please review registration policies prior to finalizing your registration.


 

ARTIST STATEMENT: RACHEL CATLETT

I am a visual artist and a farmer living on a Wisconsin sheep farm. I make paintings about relationship between the farm and the farmer, the land, and our connection to it. I am motivated by what it means to be a steward. Stewardship of the environment is central to regenerative farming practices. My images are centered on this story. I am most passionate about the work of farmers and ranchers. Farmers steward their land through their physical work. Through their labor, they connect intimately with the land, their animals, and the environment. Their work is inherently good. It is important. It is beautiful. I am infatuated by the sensual quality of oil paint and capturing gesture in brushstrokes. I love the physicality, immediacy, and fluidity of marks for the sake of marks. My aim is to make paintings that create tension and balance between marks that describe and marks that celebrate themselves. I work from life, from notes and photographs and from memories. For me, paintings are visual narratives. I am interested in how we keep our personal histories, how we remember, and how we carry each other both forward and backward, in our stories, from the past and into the future.

BROWN DOG FARM STUDIO, N5293 Kennel Rd, Sugar Creek WI 53121

WWW.BROWNDOGFARMWI.COM